Steeped by Forebrace.
Label Website: Steeped
If, like me, you’re a little sad that Massacre, Last Exit, and Material (the early years), are no longer making albums, Forebrace may be the answer to your prayers.
The Quartet of Alex Ward, clarinet; Roberto Sassi, guitar; Santiago Horro, bass; and Jem Doulton, drums, are fierce and fiery in ways that eminently remind me of the above mentioned bands, without being overly slavish in their imitation.
Ward has clearly spent some time figuring out how to transpose Zorn-like horn idioms to the clarinet. Sassi has some modern digital tricks up his sleeve, but his fire would not shame Sharrock. Horro has the free floating low end funk influenced bass sound of Lasswell down pat. And Doulton splits the difference between Shannon Jackson & Maher.
I always wonder why more young bands don’t play music influenced by those tremendous albums, and I always end up deciding that doing it well, as Forebrace do, must just be too hard. To get the hard core nonchalance of those albums down, and make them sound both easy and like your life depends on it, without getting caught up in pointless displays of musicianship… Well, I guess it is an unlikely combination. Or, as people probably said when Miles Davis came out with Bitches Brew, “Why on earth would such talented musicians make such a godawful racket?” (Though, the answer to that question is probably, “Miles had seen the money rock musicians were making with a “godawful racket” and wanted a piece of it”. But, that is beside the point.) In any case, I’m glad Forebrace are doing it, especially glad they are doing it for the joy of making a “godawful racket”.
#Forebrace #Steeped #TodaysCommuteSoundtrack #AlexWard #RobertoSassi #SantiagoHorro #JemDoulton