Please turn to number 106 (Second Tune) and join with the clarinets in “Come Ye Faithful, Raise the Strain”.
Number: 106 (Second Tune)
First Line: Come Ye Faithful, Raise the Strain
Name: SPRING OF SOULS.
Meter: 7 6, 7 6. D. Trochaic.
Music: Ludvig M. Lindeman, 1812-87
Text: St. John of Damascus, VIII cent.
Tr. John Mason Neale, 1818-66 a.
Clarinet Arrangement: 106b-ComeYeFaithfulRaiseTheStrain
Again, about St. John of Damascus:
Born at Damascus, about 676; died some time between 754 and 787. The only extant life of the saint is that by John, Patriarch of Jerusalem, which dates from the tenth century (P.G. XCIV, 429-90). This life is the single source from which have been drawn the materials of all his biographical notices. It is extremely unsatisfactory from the standpoint of historical criticism. An exasperating lack of detail, a pronounced legendary tendency, and a turgid style are its chief characteristics. Mansur was probably the name of John’s father. What little is known of him indicates that he was a sterling Christian whose infidel environment made no impression on his religious fervour. Apparently his adhesion to Christian truth constituted no offence in the eyes of his Saracen countrymen, for he seems to have enjoyed their esteem in an eminent degree, and discharged the duties of chief financial officer for the caliph, Abdul Malek. The author of the life records the names of but two of his children, John and his half-brother Cosmas. When the future apologist had reached the age of twenty-three his father cast about for a Christian tutor capable of giving his sons the best education the age afforded. In this he was singularly fortunate. Standing one day in the market-place he discovered among the captives taken in a recent raid on the shores of Italy a Sicilian monk named Cosmas. Investigation proved him to be a man of deep and broad erudition. Through the influence of the caliph, Mansur secured the captive’s liberty and appointed him tutor to his sons. Under the tutelage of Cosmas, John made such rapid progress that, in the enthusiastic language of his biographer, he soon equalled Diophantus in algebra and Euclid in geometry. Equal progress was made in music, astronomy, and theology.