Kuzu is a trio comprised of Dave Rempis on alto/tenor/baritone saxophone; Tashi Dorji on guitar; and Tyler Damon on drums.
Purple Dark Opal is their new album. It was recorded live on October 14, 2018, at The Sugar Maple in Milwaukee, Wisconsin.
Purple Dark Opal, the album, is a single 55 minute and 31 second track called, “To The Quick”. A bold choice for these attention deficient times.
A lot of improvising percussionists have jettisoned their traditional drum kits for large assortments of small, and large, percussion. Unlike those players, Damon is a capital “D” drummer, who plays a, more or less, traditional kit. He skitters and twitches across the skins and cymbals, seldom allowing what I perceive as the “beat” to drop below 200bpm.
I would describe Dorji’s guitar playing as textural. He doesn’t seem to use a large array of modern digital FX with his playing, it is a fairly dry tone, albeit with some distortion. However, he does often employ the non-traditional areas of sound generated by his guitar. Harmonics from the strings below the bridge, etc.
Of the three, Rempis is probably the most traditionally melodic player, though he, as well, is not afraid to explore the outer limits of his saxes’ sounds and his technique.
Though Purple Dark Opal is, no question, “energy jazz”, the players leave plenty of space in sections for quieter, or more sparse, explorations. Other times, one of another of the players will lay out, leaving the other two, or occasionally one, time to change the direction or velocity of the energy flow.
The fact that there are different moods over the duration of To The Quick, mean that there is always something new to listen to. While a single track doesn’t make it the most accessible album in the world for whatever is left of Jazz radio, I found the album to be very enjoyable on repeat for the entire week, picking up and leaving off wherever it aligned with my daily commute.
Last year I talked about Wuyi Stone Oolong tea, (Or Wuyi Yancha,) when I received an assortment of them from white2tea, starting from this post on “Iron Arhat“.
A type of Wuyi Yancha, Da Hong Pao, or “Big Red Robe” can be among the most highly desired, (and expensive!) teas grown in China, especially if it comes from the legendary few original tea bushes allegedly chosen by a monk and designated when he put his “Big Red Robe” over them.
While none of these teas are original Da Hong Pao, many of them were chosen by Jon Huarong Li of Tong Xin Teahouse to represent the best Wuyi Yancha teas he tasted in 2019.
To celebrate this year in Wuyi tea, he created a “Premium Yancha Tasting Flight“. It is a set of 12 single dose samples of (mostly) 2019 Wuyi Yancha teas.
Also, in 2018 I had ordered a selection of Wuyi Yancha from Yunnan Sourcing. Some of the varieties overlap with the teas from Tong Xin Teahouse and some don’t. But they provide interesting contrast to the Tong Xin teas.
Because I didn’t write down any notes about this tea, I will simply quote the description from the Tong Xin Teahouse website.
“Today, I want to talk about Shui Xian, the lotus peak in Wuyi rock tea. It is one of the thirty-six peaks in Wuyi Mountain, and it is also well-known. The Shui Xian tea garden has a good environment, old trees, long fragrance, and obvious rock charm. The Shui Xian tea garden uses boiling water to Chong Pao, which has a longer fragrance. The dried tea has both the fragrance of orchid and flowers. People familiar with rock tea know that Rou GUI has made it very well A tea has the fragrance of osmanthus. Shui Xian makes this tea very well. He has the fragrance of orchid. This is a kind of fragrance of his. We say Yan Cha is made with the right technology, which is to make the characteristic fragrance of rock tea. This year’s Wuyi rock tea production process has been greatly improved compared with last year. We say that the most difficult part of Yan Cha process is Bei Hoo. If it is baked high, it will have a burning smell and cover up its fragrance. If it is not baked enough, the tea soup will have a green and astringent feeling, the fragrance is not enough, or the tea soup is thin, and there is no alcohol thickness, so this fire is particularly difficult to grasp.”
“”Lao Cong” (or old bush) Shui Xian is grown in the Jiulongke area of Wu Yi. Jiulongke is included in the “Zheng Yan” (lit. “Proper Rock”, meaning strictly the original area of Wu Yi Mountain) area of Wu Yi Mountain. This Lao Cong is grown and picked from 100-150 year old bushes. Shui Xian is the oldest varietal of Rock Oolong and has been grown in Wu Yi for several hundred years.”
“Lao Cong Shui Xian generally refers to Shui Xian tea trees with an age of more than 60 years. Shui Xian belongs to large leaf type, late growth type, and semi arbor type. Its leaves are larger than those of ordinary small leaf type tea trees. Its growth environment is generally humid, and its surrounding ecological environment is good. Lao Cong tea trees are covered with various parasitic plants, especially moss. Lao Cong Shui Xian has a high age of trees, so it absorbs a lot of natural breath and has a unique flavor of mountains and varieties. It is difficult to pick Lao Cong Shui Xian because the tea trees are very high and it is necessary to use stairs when picking tea.”
Tong Xin Teahouse
It’s funny, some of the notes from the yancha from Yunnan Sourcing sometimes mention a marijuana-like smell in the flavor notes. I got the hint of marijuana smell in some of their teas, but here it is, in this Tong Xin Teahouse yancha full on, from the wet leaves to the tea in the glass.
Medium charcoal roast flavor as the tea cools in the glass and a strong earthy mineral character grounding the tea.
Great length of flavor and very good resteepability.
Even though this tea has had since 2015 to settle, it is a bit of a bruiser. You have to like big teas, to like this one.
I again spaced on notes for the Lotus Peak Rou Gui, so will reproduce the notes from the Tong Xin Teahouse website.
“Wuyi Mountain Rou Gui, also known as Yu Gui, why is it called Rou Gui? Because of its strong fragrance of cinnamon, it was named this name. Rou Gui is a kind of tea with high fragrance, which is charming and domineering. There are more than 200 kinds of fragrant materials in it, and it is also the most fragrant and changeable tea among all Wuyi rock tea. Therefore, Rou Gui is loved by so many people. It has a strong sense of mystery. The tea in Wuyi Mountain scenic spot is called Zheng Yan tea, whose quality is also excellent. When we make the first four bubbles, we can choose to make soup quickly (3-5 seconds). Because it’s a highly fragrant tea with a strong fragrance, the first four bubbles can reflect the essential characteristics of cinnamon and what kind of fragrance it belongs to. From the beginning of the fifth bubble, we have to soak it consciously for some time (1-3 minutes). Many people say that it’s not good to make this tea without fragrance after eight to nine bubbles, not eight to nine. The tea after jiupao drinks its astringency, water alcohol thickness and Gan Tian degree, which is what we call “Yan Yun”. Not every tea is the same. There are many misunderstandings among tea makers. I will share this conclusion with you because many Yan cha in the tea market are not the tea planted and produced in Wuyishan. They are sold to you as the tea of Zheng Yan in Wuyishan. In fact, as long as you taste it with your heart, you can distinguish its good from the bad. It’s easy to drink a cup of tea, but it’s hard to taste a good cup of tea. I just share some of my experiences over the years. Maybe some of my friends don’t agree with me. I hope you can put forward more opinions. I will accept them with an open mind.”
“Rou Gui means Cinnamon in Chinese (肉桂茶). It’s varietal of Wu Yi Mountain rock tea that has been around since the Qing Dynasty. First flush of spring tea is picked, wilted, fried, wilted again then lightly roasted to bring out it’s subtle bouquet of aroma and tastes. Our Rou Gui is a medium roast level and can be brewed 7 to 10 times easily using the gong fu method of brewing. The brewed tea produces a golden tea soup with hints of fruit and chocolate. A lovely tea that can accompany you on almost any tea session.”
Super solid well balanced flavor.
Decent resteepability, as long as you keep early steeps short.
Moderate length of flavor, with a bit of lingering bitterness and a nice perfume.
“Ma Tou Yan Rou Gui 马头岩肉桂 (lit. Horse Head Rock Cinnamon) is a unique varietal grown in the “Zheng Yan” Ma Tou Yan 马头岩 area of Wu Yi. Zheng Yan (正岩) refers to the innermost protected area of the Wu Yi Heritage site. It’s a protected area separate from the scenic area and outsiders are not allowed inside. The “Zheng Yan Growing Area” refers to these tea gardens: tiānxīn yán/天心岩, mǎ tóu yán/马头岩, huìyuàn/慧苑, zhú kē/竹窠, bì shí/碧石, yànzi kē/燕子窠, jiǔlóng kē/九龙窠, yù cháyuán/御茶园, yù huā dòng/玉花洞, shuǐ lián dòng/水帘洞, fo guó/佛国, táohuā dòng/桃花洞, guìlín/桂林, sān yǎng fēng děng děng/三仰峰等等. Ma Tou Yan area is 425 meters high. Rou Gui varietal has been grown here for over 100 years and many of the bushes are quite old. The mineral taste of the Zheng Yan area is present in this tea. The processing style is a medium-high level of roast done respectfully over several months time. The taste is silky and sweet… roast taste is there but not strong and will fade over a few months. Nice thick body with a long lasting sweet cinnamon-like after-taste. Tea can be infused 7 to 10 times if brewed gong fu style.”
Darker Roast/Heavier Oxidation
Chocolate and camphor flavors.
Very Good length of flavor and fair resteepability.
Flavors of the later steeps edge towards herbaceousness.
“My Aunt Chen Zhenying has 40 years of practice and research experience in the Tea Research Institute. She has rich experience in the cultivation, cultivation, management and traditional rock tea production technology of the tea garden. Besides the fourth Quxi of JIUQUXI, Wuyishan, is the seat of Wuyishan Tea Science Research Institute and the former royal imperial tea garden. Now, most of the famous varieties of Wuyi Mountain are from here. Today, I want to share this tea with you from the Dahongpao made by Aunt Chen Zhenying. What is the matching Dahongpao? It refers to the Dahongpao (generally 4-5 strains of tea) which is made up of more than two strains of tea. The main ingredients of rock tea are cinnamon and Narcissus.”
Tong Xin Teahouse
In my limited experience with Wuyi Yancha, I think this tea is as close to perfect as I have yet tasted. It is such a wonderful balance of perfume, roast, and astringency.
A seriously great tea to contemplate, and turn over, again and again, on your tongue and in your mind, on a cold winter’s day.
“Grown naturally in a small family plot in Tong Mu Guan village in Wu Yi Shan, these Da Hong Pao varietal tea bushes have been growing without human involvement and are picked twice a year in May and late September! The aroma is at once nuts, chocolate and floral, while the taste has these elements too, but also some slight astringency to complement it’s pungent and vibrant nature. Sweet and thick in the mouth the tea that reminds just how good unadulterated naturally grown tea can be!”
Grassy, vegetal smell in pre-heated pot.
A little bitterness/astringency to the liquid as it cools.
Some stems and buds noticeable.
Almost like a green tea made from yancha varietals, even a bit of nuttiness.
“Da Hong Pao is the quintessential Wu Yi Rock Oolong varietal. Our Zheng Yan 正岩Hua Guo Xiang (花果香 Flower Fruit Aroma) was harvested in May 2018 and tirelessly processed through roasting and resting, and only available for sale by mid-June (this is fairly typical for Wu Yi rock oolongs). “The tea leaves come from mature bushes that grow in an area with heavy mineral content in the soil. This superb (and classic) environment for Rock Oolongs is felt when cupping this divine tea! Thick, sweet, viscous, and complex with tons minerality, cannabis, fruit and flower tastes melded together into something that is better experienced than talked about. Zheng Yan (正岩) refers to the protected areas of the Wu Yi Heritage site. It’s a protected area separate from the scenic area and outsiders are not allowed inside.”
Smell in the pre-heated pot has a strong floral and roast character, reminding me of Chinese incense.
Sweetness and astringency in flavor, thick soup.
Very unusual flavor of the tea also reminds me of Chinese incense and perfume.
“Qilan, one of the representatives of Wuyi rock tea, is a very distinctive kind of rock tea. People familiar with it all know that rock tea is famous for its water and not for its fragrance. Today’s Qilan, which I share with you, is made by my brother Gao Peng. Description: Its fragrance is fresh, full-bodied, not as fierce as Qilixiang (seven mile aroma) yancha, but has its own penetrating power, Its first two Infusions are standard orchid fragrance. It’s like an empty valley orchid which spreads its fragrance. It’s particularly elegant and refined. However, from the third infusion, its fragrance has changed into an obvious Gardenia fragrance. The fragrance is stronger, stronger and more vigorous. The fragrance is rich, clear and sweet, which is intriguing. Besides the fragrance, the soup of Qilan also has its own characteristics. The soup is extremely sweet. At the entrance, I almost thought that I was drinking fully fermented black tea. However, when I drink it, I feel like walking in a quiet valley and meeting an independent orchid. I am happy to pick it up and suck the nectar of its flower juice. Its sweet smell of flowers is like the magical dew from heaven.”
Tong Xin Teahouse
Pleasant smell in the pre-heated pot.
First narcissus/lillies, then medium roast and medium oxidation.
There is an implied candy scent of fruit pastilles in the aftertaste.
Good resteepability and very good length of flavor.
“This Yan Cha was cultivated from the Wusan Di Tea Garden. Jin Mu Dan tea is a clone, shrub type, middle leaf type, and an early-growing species. The fertility of buds and leaves is strong and tender. Jin Mu Dan was bred with excellent quality, strong lines, long fragrance, mellow and sweet taste, bold flavor and quality characteristics of a Tie Guan Yin varietal. In fact, Jin Mu Dan was bred by the Tea Research Institute of Fujian Academy of Agricultural Sciences from 1978 to 2002. A crossbreeding between Tie Guan Yin and Huang Bi creates the unique taste and aroma of Jin Mu Dan.”
Tong Xin Teahouse
Excellent smell in the pre-heated pot, sweet orchid and narcissus.
Medium roast flavor and oxidation.
Complex and perfume-ey aftertaste, with a lingering sweetness.
In the modern nation state, public education functions as a sort of civic immunization.
By inculcating standardized values into a large portion of the population, public education allows a certain “herd immunity”, creating the mental illusion of the state based on shared values.
Whether the citizens ultimately embrace those values, or rally against, they still have been taught those values as a base and will mentally participate in the state’s shared values, or paradigm, as adult citizens.
As the number of adult citizens which were taught the standardized values of the state as children declines, so will the state, ultimately fracturing into balkanized segments, slipping towards regional or cultural fragmentation and cultural medievalism i.e. mental city state paradigms which exist within the physical bounds of the state, but which are often counter to the state’s values.
It turns out the Gaiwan (Gaiwan) is the most controversial aspect of Gong Fu Tea Brewing with some of my friends, some complaining they didn’t feel they were coordinated enough to operate Gaiwan. Always burning their fingers, spilling tea, and what not.
As I probably destroyed a bunch of nerves in my fingers working as a line cook in restaurant kitchens in my 20s, my finger tips are no longer so sensitive.
However, I was looking for something that would be a bit more convenient and simple for gong fu tea making while traveling.
When I was at the San Francisco International Tea Expo, I saw quite a few vendors using a small combo strainer and share cup, and it put it into my head to track one down.
This pot and strainer combo from Kamjove, (KAMJOVE Glass Gong Fu Teapot with Filter, 300ml,) looked pretty good.
You put your tea in the top compartment. Cover with hot water. Then wait a few seconds. Push the button on the top and the tea strains through a filter into the carafe. Repeat as necessary. When your tea leaves are spent, tap them into the compost pile and rinse out the two sections.
I like that it is mostly clear glass (the strainer section is clear plastic, though the filter itself is fine metal mesh). The tea it makes is good. A bit different tasting from most of the gaiwans and tea pots I’ve used, tea from every type brewing vessel is different, but it is a lot simpler to use than gaiwans and easier to get the tea leaves out of than tea pots, especially early in the morning when you’re not quite awake. If I were to venture an opinion, I would say it makes good green and black tea. As a bonus, the fact that it has a filter strainer, means it will work fine for both whole leaf and broken leaf teas. I don’t think I’d use it for Puerh or Oolong, the thin glass loses heat too quickly.
It’s a good compromise between convenience and quality for hassle free loose leaf tea.
Dripd O’Bitters is a ripe PuErh tea which has been blended with chenpi.
There are two big classifications of PuErh tea.
The main type, and traditional type, is called Raw or Sheng PuErh.
It is basically green tea, made from a specific type of tea plant from a specific region, which is partially dried and then aged for years or decades.
The second type is called Ripe/Cooked or Shou/Shu Puerh.
Ripe Puerh was invented in the 1970s The idea behind Ripe Puerh was to accelerate the aging process of the tea so it could be sold sooner. While what they ended up producing isn’t exactly flash aged PuErh, it is a tea that is worthy of contemplating for its own merits.
Ripe and Raw Puerh start the same. Leaves and buds of the tea plant are picked, withered briefly, then mostly dried to form what is essentially a rough looseleaf green tea, or maocha.
For Ripe Puerh, the maocha is put into a big pile, kept damp, and repeatedly turned using implements like rakes for a month or two, allowing it to ferment and further oxidize before being completely dried and/or formed into cakes.
If Raw Puerh is sort of like funky green tea, Ripe Puerh is more like funky black tea. Especially if it is a freshly made tea, Ripe Puerh can have very strong funky taste, (wet pile taste,) reminiscent of certain Belgian farmhouse ales. There is some Brett happening in there, for sure. While the funk of Raw Puerh increases with age, the funk of Ripe Puerh tends to calm down with age. Older Ripe Puerh can exhibit stonefruit or chocolate flavors, alongside the usual notes for PuErh tea, camphor, mint, etc.
For Dripd O’Bitters, White2Tea took an already somewhat aged Ripe PuErh and blended it with a type of citrus peel called “chenpi”. Chenpi is the dried peel from a small orange. Chenpi sometimes used in Chinese medicine for a variety of ailments, “to regulate ch’i (or qi), fortify the spleen, eliminate dampness, improve abdominal distension, enhance digestion, and reduce phlegm.” As near as I can tell, chenpi seem very similar in flavor and character to the Italian Bitter orange called, Chinotto (Citrus myrtifolia).
In traditional Chinese medicine, foods are often divided by their warming or cooling natures. Teas are also divided up this way. Unaged Green and white teas, including puerh, are considered cooling, while aged Puerh, Aged White, Black, and Ripe Puerh are considered warming.
Chenpi also have a strong warming element, making drinking a ripe Puerh and Chenpi blended tea, a good choice for weather where you need to warm yourself up.
However, according to wikipedia, “Traditional Chinese medicine urges caution in using Chenpi when red symptoms occur such as red tongue or redness in the face. In addition, pregnant women or those who have menstrual problems should use it carefully.”
In any case, Dripd O’Bitters’ flavor does remind me a bit of Chinotto soda or certain Italian Amari, especially Torani Amer or Amer Picon.
The funk of the Raw Puerh is noticeable in the first few steeps, and not overpowering, while the flavor of the orange develops later, as an aftertaste, or in the later steeps, noticeable as a pleasant bitter flavor on the sides of your tongue. Dripd O’Bitters as a young tea doesn’t have a great deal of re-steepability, but it is a tasty, and warming, diversion for a chilly day.
For the last couple months I’ve mostly been drinking young Raw/Sheng Pu-Erh Tea fresh from factories or distributors that is less than a year or two old.
However, there is another element to consider, which is the aging of Pu-Erh Tea.
To go back over the basics.
All tea comes from varieties and species of the Camellia plant, usually Camellia sinensis or Camellia assamica.
Most Pu-Erh tea is made from varieties of Camellia assamica.
Tea is made by picking the young leaves and buds of Camellia bushes and trees.
After the leaves and buds have been plucked they can be processed by simply drying them relatively quickly. The result of this is what is called “White Tea”.
If, instead of simply drying, you first steam or shock the leaves in a wok, the green color will be fixed, and, after drying, the result is “Green Tea”.
For Pu-Erh Tea, the leaves and buds are allowed to wilt slightly, shocked, (as with green tea,) and then dried. The result is a product called “maocha”, which can then either be aged as it is or steamed slightly and formed into various solid shapes for ease of transport and aging. The most common shape is a disk shape, commonly called a “bing” or “beeng” which will weigh between 100-500g, (357g being the “traditional” weight for a full size bing) . These Bing are usually wrapped in paper and then further wrapped in bamboo leaves in groups of 7, (7, traditionally, but sometimes more or less). This package of 7 tea cakes is called a “tong”.
Pu-Erh collectors and enthusiasts highly prize Pu-Erh which has been stored well for many years.
As you might imagine, the weather in the area where the tea is stored, and the exact conditions of the warehouse it is stored in, affects how fast it matures and the character it takes on.
“Wet Storage” Pu-Erh comes from warehouses in areas like Malaysia, Hong Kong, and Guangdong, which are quite warm and humid in the summer months. In these areas where aging proceeds relatively more rapidly, a 15 year old Pu-Erh might be considered “partially aged” or “aged”, depending on the exact conditions of the warehouse.
“Dry Storage” Pu-Erh is stored in areas where the humidity and temperature are lower in summer and it might be cooler in winter. An example of a common dry storage city in China would be Kunming. Tea stored for 15 years in a dry storage warehouse would still be considered relatively young Pu-Erh.
While it is not intentionally infected with mold spores, (some other Chinese teas are intentionally infected with types of mold,) “Wet Storage” Pu-Erh can take on flavors that resemble mold or mildew, depending on your sensitivity to those flavors. Some may even show mold visually. Some people like those flavors, some do not.
A tea friend of mine is super enthusiastic about wet stored Pu-Erh, so I thought I would give them a try and see how I felt about them.
Conveniently, Yunnan Sourcing offers a Guangdong Aged Raw Pu-Erh Tea Sampler. The teas in the sample are all at least partially aged, most having been stored in Guangdong for around 15 years.
One of my favorite parts about Yunnan Sourcing’s listings for aged teas are warnings like this, “Wrappers may be bug bitten from humid storage conditions. If you are squeamish don’t order this tea!” and this, “Wrappers have disintegrated a bit due to bamboo worms that eat the bamboo leaf tongs. It does not impact the taste of the tea!”
Initial impressions in scent are of smoke. No real Wet Storage Funk, the YS site notes this was stored in, “dry Guangdong conditions”. Presents fairly bitter in early steeps. As the steeps advance changing the smoke evolves to leaf tobacco and finally leather.
Be careful with the steep times on this, or you may find yourself in a little over your head. This is a STRONG in every sense of the word tea, burly and a little harsh, both in flavor and in buzz. I can’t say I find it entirely pleasant.
Pleasant, mildly bitter tea with some astringent notes similar to a black tea. No detectable funky “wet storage” flavors. Lingering complex camphor, herb, and fruit character in the lengthy finish. Strong, clean, fast acting head buzz.
A very well balanced and drinkable tea, especially for the price.
If you want a good example of funky camphor/mushroom “wet storage” raw Pu-erh flavor, this one has it. And from what other people write about this tea, this isn’t even that funky. Not sure I can deal with really funky wet storage, if this is mild!
On the other hand, whatever is growing on it, has transformed the later flavors of the tea into an interesting thick brown sugar-like flavor. No bitterness or astringency. Strong, warming, chest centered buzz.
Early flavors remind me a bit of black tea, but with very little bitterness or astringency. Some mild smoky character. Lengthy sweet aftertaste reminds me a bit of roasted chicory. No musty wet storage character to speak of.
Another very well balanced tea, with a very interesting aftertaste. Might be my favorite of the sample group!
A little smoke in the nose. Mild, well balanced complex flavor with only slight bitterness and astringency. More floral and herbaceous with lingering tobacco, freshly cut wood. No sweetness, but a nice camphor and herb lift in the later steeps.
A very, very good tea, but a completely different experience from the other four.
As an exercise, I find drinking these well aged teas to be a fascinating exercise. But as I contemplate their flavors, I am not sure I find the taste of “Wet Storage” to be my favorite at this point in my life.
Out of the five, two I don’t really enjoy; The Big Yellow Mark is just too rough for me and the “Wet Storage” character of the Big Snow Mountain is just not enjoyable for me. 2 I find intriguing enough that I will enjoy the rest of the sample, Gu Pu-er Cha Ma Gu Dao and Pasha Mountain Gushu. Finally, one I find enjoyable enough I might buy a cake, the Feng Qing Jia Ji Er Deng.
Eris 136199 is a trio composed of Han-Earl Park, guitar; Catherine Sikora, saxophone; and Nick Didkovsky, guitar.
Han-Earl Park tends to explore the dry percussive side of the guitar, often functioning as the de facto rhythm section in Eris 136199.
Catherine Sikora is all about finding the timbral possibilities explicit in the unvarnished and unapologetic sound of the saxophone while at the same time maintaining a core of melodicism.
Nick Didkovsky, sometimes known by his alias “Doctor Nerve”, expresses digitally warped washes of static-like sound and angry slashes of melody. A radio listener flicking impatiently between stations.
I don’t really know how to talk about the music, other than to say it is 50-plus minutes of riveting music making from three fantastic and fascinating musicians. I’ve been listening avidly to Eris 136199 all week on my commute and have looked forward to it every day. Wondering what new thing I will discover in Sikora’s technique while at the same time trying to pay attention and tease out which guitarist is playing what.
Obviously, Eris 136199 isn’t Lawrence Welk, however, there is something in the players expressiveness and in their interactions which prevents it from being too harsh or overwhelming.
Rough enough to keep it exciting, yet tender enough to keep you coming back.
I’ll be a bit sad when this week we’ve had together is over.
“Sing As The Crow Flies was created as a site specific sound installation for the 2019 Waveney Valley Sculpture Trail on the Norfolk/Suffolk border, UK. It can be seen and heard between 2nd August and 8th September 2019. The installation sits around the trunk of a 30 year old Walnut Tree in a cherry orchard where five telephone handsets hang from the tree ready to be picked up by passers-by…”
Bandcamp album description
As beautiful as it is haunting, Sing as the Crow Flies takes its inspiration from the natural world and from choral vocal traditions of England and America.
The sound sources are primarily Cannell and Wright’s voices. Only occasional environmental sounds intrude, bird song, branches creaking, footsteps. There are no other instruments.
The two women’s voices entwine and dance through the air, at times echoing in a space echoing like a cathedral, at other times sounding as if they were recorded in a field.
The album cover, evoking a flock of birds spiraling in the sky, is particularly apt for the way their voices twist, double, and interact with each other with a flocking attraction.
I’ve listened to William Hooker before, but never too closely. I do know he is a improvising drummer who often works with musicians outside of the Free Jazz/Improvisation scene.
This is a live recording of a trio, (William Hooker, Drums; Mark Kirschenmann, Trumpet; and Joel Peterson, bass,) recorded in Detroit, Michigan, spring 2018.
Initially, I was listening, and beyond Mr Hooker on drums, I was at a loss for what the other instruments were. My first impression was that it was a group that contained at least synthesizer, drums, and bass.
After listening for a couple days, I was actually pretty surprised to look at the bandcamp page and realize Mr Kirschenmann was playing a heavily effect laden trumpet. (If you’re a gear head, at the very least, he is playing with a flanger, delay, and some sort of multi-pitch shifting choir type effect. Probably some sort of distortion, too, and a volume pedal.)
The album starts very spare, with a lot of time between notes and no real interaction between the players.
It picks up a bit briefly around the 20 minute mark, but then returns languidity for the slow fade out.
While the drums and bass are not far from idiomatic free jazz expression, the trumpet is more in the pop/art/ambient realm. When it is recognizable as a trumpet, not far from Jon Hassell.
The whole thing is more like ambient space jazz, than what normally passes for free or energy jazz/improvisation.
In fact, the album that came most to mind while listening was Tangerine Dream’s first album, “Electronic Meditation,” except maybe played at about half speed.
Is that good or bad?
I just don’t know.
It’s not really my bag, I found myself impatient with its slow pace of development a lot of the time, but it might be yours.