109-GoodChristianMenRejoiceAndSing

Please turn to number 109 and join with the clarinets in “Good Christian Men Rejoice and Sing”.

Number: 109
First Line: Good Christian Men Rejoice and Sing
Name: VULPIUS (GELOBT SEI GOTT).
Meter: 8 8 8. With Alleluias.
Tempo: With excitation
Music: Melchior Vulpius, cir. 1560
Harm. by Ernest MacMillan, 1893-
Text: Cyril A. Allington, 1872-1955

Clarinet Arrangement:109-GoodChristianMenRejoiceAndSing

This is a pleasant and uncomplicated hymn in 3/4.

Huh! The gentleman who harmonized this hymn was Canadian!

Sir Ernest Alexander Campbell MacMillan, CC (August 18, 1893 – May 6, 1973) was a Canadian orchestral conductor and composer, and Canada’s only “Musical Knight”. He is widely regarded as being Canada’s pre-eminent musician, from the 1920s through the 1950s. His has contributed to the development of music in Canada as conductor, performer, composer, administrator, lecturer, adjudicator, writer, humourist, and statesman.

And the original composer:

Melchior Vulpius (c. 1570 in Wasungen – 7 August 1615 in Weimar) was a German singer and composer of church music.

Vulpius came from a poor craftsman’s family. He studied at the local school in Wasungen (in Thuringia) with Johannes Steuerlein. From 1588, he attended the school in Speyer. After marrying in 1589, he obtained a position at the Gymnasium in Schleusingen. In 1596, he was named cantor in Weimar.

He wrote and published church music, the best known being the setting of the hymn Ach, bleib mit deiner Gnade (Ah, stay with your grace) on a text by Josua Stegmann. This setting was often performed in Protestant churches on New Year’s Day and at the end of the service. Important compilations were Cantiones sacrae (1602, 1604), Kirchengesänge und geistliche Lieder Dr. Luthers (1604), Canticum beatissimae (1605) and Ein schön geistlich Gesangbuch (1609). The Cantional (a collection of songs) was published posthumously in 1646 in Gotha.

Red Service Book and Hymnal
Red Service Book and Hymnal

106b-ComeYeFaithfulRaiseTheStrain

Please turn to number 106 (Second Tune) and join with the clarinets in “Come Ye Faithful, Raise the Strain”.

Number: 106 (Second Tune)
First Line: Come Ye Faithful, Raise the Strain
Name: SPRING OF SOULS.
Meter: 7 6, 7 6. D. Trochaic.
Tempo: Triumphantly
Music: Ludvig M. Lindeman, 1812-87
Text: St. John of Damascus, VIII cent.
Tr. John Mason Neale, 1818-66 a.

Clarinet Arrangement: 106b-ComeYeFaithfulRaiseTheStrain

Again, about St. John of Damascus:

Born at Damascus, about 676; died some time between 754 and 787. The only extant life of the saint is that by John, Patriarch of Jerusalem, which dates from the tenth century (P.G. XCIV, 429-90). This life is the single source from which have been drawn the materials of all his biographical notices. It is extremely unsatisfactory from the standpoint of historical criticism. An exasperating lack of detail, a pronounced legendary tendency, and a turgid style are its chief characteristics. Mansur was probably the name of John’s father. What little is known of him indicates that he was a sterling Christian whose infidel environment made no impression on his religious fervour. Apparently his adhesion to Christian truth constituted no offence in the eyes of his Saracen countrymen, for he seems to have enjoyed their esteem in an eminent degree, and discharged the duties of chief financial officer for the caliph, Abdul Malek. The author of the life records the names of but two of his children, John and his half-brother Cosmas. When the future apologist had reached the age of twenty-three his father cast about for a Christian tutor capable of giving his sons the best education the age afforded. In this he was singularly fortunate. Standing one day in the market-place he discovered among the captives taken in a recent raid on the shores of Italy a Sicilian monk named Cosmas. Investigation proved him to be a man of deep and broad erudition. Through the influence of the caliph, Mansur secured the captive’s liberty and appointed him tutor to his sons. Under the tutelage of Cosmas, John made such rapid progress that, in the enthusiastic language of his biographer, he soon equalled Diophantus in algebra and Euclid in geometry. Equal progress was made in music, astronomy, and theology.

Red Service Book and Hymnal
Red Service Book and Hymnal

105-TheDayOfResurrection

Please turn to number 105 and join with the clarinets in “The Day of Resurrection”.

Number: 105
First Line: The Day of Resurrection
Name: ROTTERDAM
Meter: 7 6, 7 6. D.
Tempo: With movement
Music: Berthold Tours, 1838-97
Text: St. John of Damascus, VIII cent.
Tr. John Mason Neale, 1818-66 a.

Clarinet Arrangement: 105-TheDayOfResurrection

This is, frankly, not a very interesting hymn, either Lyrically or musically.

The only real challenge is counting how many times the “Alto” part has to play the same note in a row.

It is, fortunately, brief.

Berthold Tours (Rotterdam, Dec 17, 1838 – London, Mar 11, 1897) was a Dutch-born English violinist, composer and music editor. His first music teacher was his father, Barthelemy Tours (1797-1864), who was organist of the Groote or St Laurens Kerk in Rotterdam for thirty years, a conductor, and a violinist of European wide reputation, while he studied composition with Johannes Verhulst. Later, he studied composition with François-Joseph Fétis at the conservatory in Brussels and then continued his studies in Leipzig.[1]

In Leipzig, Tours received an invitation from Prince George Galitzin, a fellow student, to go to Russia as second violinist in a string quartet that would be engaged by the tsar. The quartet performed in the Winter Palace in St. Petersburg and in neighbouring palaces. Tours then became the assistant director of the chorus in the Imperial Opera and then went with Galitzin to Covent Garden, London in 1861, as a score-reader. He was organist at St Helen’s, Bishopsgate from 1864–65, at St Peter’s, Stepney from 1865–67, and finally at the Swiss Church, Holborn from 1867–79.

Red Service Book and Hymnal
Red Service Book and Hymnal