How you feel about Shut In is going to depend on how you feel about drone.
I like some drone-ey music and some leaves me wondering who dropped the paper weight on the organ.
For me, it’s all about the texture of the sounds and the idea of sound as a physical object in space. Also helps to have some bass in the mix.
Anyway, I enjoyed Shut In even though there’s not a lot of obvious “musical” type stuff going on. Good textures and nice bass. If you turn it up, it almost sounds like the quieter bits of a SUNN O))) concert.
Like Roland Kayn, Drumm doesn’t usually seem to have much truck with traditional musical conventions of harmonic or rhythmic organization.
Sounds function, to a certain extent, as motifs. On Relief, the sound of a cricket rubbing its wings together seems to be the motif around which the shimmering static and harmonic washes organize themselves.
It’s a bit like watching the static on an old television, a la Poltergeist, and waiting for your brain to find the patterns, whether they actually exist, or not.
Bandcamp link: Sheer Hellish Miasma
For a second random selection from Mr Kevin Drumm’s oeuvre, I selected “Sheer Hellish Miasma”. Sheer Hellish Miasma is nearly the exact opposite of the quiet and peaceful “Trouble”. The sound samples I can identify sound like band saws, radio static, and jack hammers.
This is definitely an old school “Industrial” sound.
Now, turning these sorts of sounds up to car, and teeth, rattling decibel levels as you wend your way across the city isn’t to everyone’s taste. But if a sort of ‘symphony of industrial noise’ is something you can imagine listening to, you might enjoy “Sheer Hellish Miasma”. #SheerHellishMiasma
An online acquaintance, Ian Fenton of Frozen Reeds, had mentioned on occasion that s/he was listening to Kevin Drumm. Since Mr or Ms Frozen Reeds knows a bit about electronic music, I thought I should check out what is up with Mr Kevin Drumm.
I still don’t know much.
Mr Drumm is a very prolific recorder of music. Going from his bandcamp page, he records and releases an album or two a month. He also appears to be from, or live in, Chicago, IL.
I selected Trouble at random because I liked the cover and the notion of “Trouble”. However, Trouble is one of the least troublesome records I’ve run across. If I had to pin down the sound source, I would guess some sort of Tibetan ringing bowls, but it could be something as simple as a treated or bowed guitar.
The record, according to the liner notes, is, “Intended for quiet listening (suggested stereo system volume setting 4).” And it really is quiet album. It was a rainy day, and between road noise and the rain, it was pretty impossible to hear Trouble while driving. So not a great commute soundtrack.
However, it is pretty great music to listen to as intended.
Turn down the lights, put on the stereo, and zone out as sounds ring across and back from the event horizon.