Please turn to number 95 (First Tune), and join with the clarinets in “At The Lamb’s High Feast We Sing”.
Number: 95 (First Tune)
First Line: At The Lamb’s High Feast We Sing
Name: SALZBURG (ALLE MENSCHEN).
Meter: 7 7, 7 7. D.
Tempo: With Vigor
Music: Jakob Hintze, 1622-1702
Harm. by J. S. Bach, 1685-1750
Text: Based on the Latin
Tr. Robert Campbell, 1814-68 a.
Clarinet Arrangement: 095a-AtTheLambsHighFeastWeSing
It’s always a pleasure, and a bit of a challenge, to negotiate a J.S. Bach arrangement.
This one was particularly challenging, as the program I had been using to record audio, Audacity, started to act up inexplicably. Try as I might, I have not yet got it back to behaving normally.
So I had to learn a new “Digital Audio Workstation” program. The next step up from Audacity seems to be Apple’s limited version of Logic Pro X, which it calls “Garageband”.
However, moving from what is a very advanced audio editor to a full fledged DAW is a bit of a change of work flow. So it took me a while to get the hang of how to do things in Garageband.
Regarding the text of the hymn:
Campbell, Robert. Advocate, of Sherrington, Scotland, was born at Trochmig, Ayrshire, Dec. 19, 1814. When quite a boy he attended the University of Glasgow. Though showing from his earliest years a strong predilection for Theological studies, eventually he fixed upon the Scottish law as a profession. To this end he entered the Law Classes of the University of Edinburgh, and in due course entered upon the duties of an advocate. Originally a Presbyterian, at an early age he joined the Episcopal Church of Scotland. He became a zealous and devoted Churchman, directing his special attention to the education of the children of the poor. His classical attainments were good, and his general reading extensive. In 1848 he began a series of translations of Latin hymns. These he submitted to Dr. Neale, Dr. Mills of Ely, and other competent judges. In 1850, a selection therefrom, together with a few of his original hymns, and a limited number from other writers, was published as Hymns and Anthems for Use in the Holy Services of the Church within the United Diocese of St. Andrews, Dunkeld, and Dunblane. Edinburgh, R. Lendrum & Co.
This collection, known as the St. Andrews Hymnal, received the special sanction of Bishop Torry, and was used throughout the Diocese for some years. Two years after its publication he joined the Roman Catholic Church. During the next sixteen years he devoted much time to the young and poor. He died at Edinburgh, Dec. 29, 1868.
From his collection of 1850, four translations were given in Hymns Ancient & Modern, 1861, “At the Lamb’s high feast we sing;” “Come, pure hearts, in sweetest measures;” “Ye Choirs of New Jerusalem;” ” Ye servants of a martyr’d God” (altered). Attention was thereby directed to his translations. They are smooth, musical, and well sustained. A large number, not included in his 1850 collection, were left by him in manuscript. From these Mr. O.Shipley has printed several in his Annus Sanctus, 1884. (C. MSS.)
And the tune:
The tune SALZBURG, named after the Austrian city made famous by Wolfgang Amadeus Mozart, was first published anonymously in the nineteenth edition of Praxis Pietatis Melica (1678); in that hymnbook’s twenty-fourth edition (1690) the tune was attributed to Jakob Hintze (b. Bernau, Germany, 1622; d. Berlin, Germany, 1702). Partly as a result of the Thirty Years’ War and partly to further his musical education, Hintze traveled widely as a youth, including trips to Sweden and Lithuania. In 1659 he settled in Berlin, where he served as court musician to the Elector of Brandenburg from 1666 to 1695. Hintze is known mainly for his editing of the later editions of Johann Crüger’s (PHH 42) Praxis Pietatis Melica, to which he contributed some sixty-five of his original tunes.
The harmonization by Johann S. Bach (PHH 7) is simplified from his setting in his Choralgesänge (Rejoice in the Lord  and The Hymna1 1982  both contain Bach’s full harmonization). The tune is a rounded bar form (AABA) easily sung in harmony. But sing the refrain line in unison with full organ registration.
–Psalter Hymnal Handbook, 1987