Interesting how Mr Perelman tailors his Tenor playing to his partners. In this case he is matching Maneri’s cello with a formidable display of his glissando technique and upper register playing. Very different from Volume One.
Please turn your hymnals to number 121 and join with the clarinets in, “Come, Holy Ghost”.
First Line: Come, Holy Ghost
Meter: 6 6 4, 6 6 6 4.
Tempo: In moderate time
Music: The Hallelujah, 1849
Arr. by John Roberts, 1822-77
Text: Based on Veni, Sancte Spiritus
Tr. Ray Palmer, 1808-87
Veni Sancte Spiritus is one of only four medieval Sequences which were preserved in the Missale Romanum published in 1570 following the Council of Trent (1545–63). Before Trent many feasts had their own sequences. It is still sung today, having survived the liturgical changes following the Second Vatican Council.
Please turn your hymnals to number 120 and join with the clarinets in, “O Holy Spirit Enter In”.
First Line: O Holy Spirit Enter In
Name: WIE SCHöN LEUCHTET.
Tempo: With movement
Music: Phillipp Nicolai, 1556-1608
Adapted and harm. by J. S. Bach, 1685-1750
Text: Michael Schirmer, 1606-73
Tr. Catherine Winkworth
Music with its roots in the Jazz tradition is always moving forward, always incorporating new influences. Mr Lewis’ group brings a rap inflenced groove to the music formerly known as Jazz. While I enjoy individual tracks on this album, listening to the whole thing at once, it gets a little “samey”. Mr Lewis’ emulates the rhythmic cadences of a rapper with his Sax, but without lyrical variation, it ends up a bit like finding the backing tracks from a great lost rap album.
It was Pharoah Sanders Soprano Sax playing that initially grabbed my ears on and pulled me in to this recording, but listening closer, the real hero of the session is Cecil McBee on Bass. His solid playing is the root which allows the flowers of Alice’s harp and the brambles of Pharoah’s Soprano to flourish.
A very short hymn, only 8 lines, I waffled on how to treat it. Should I play it really slowly?
Many times, very quickly? I took a middle route, at 80bpm, and played it 4 times. Repetition is interesting.
“FILITZ, Friedrich. b. Arnstadt, Thuringia, 16 Mar 1804; d. Bonn, 8 Dec 1876. Filitz graduated in philosophy and worked as a music critic and historian in Berlin (1843-47) before moving to Munich where he wrote Über einige Interessen der älteren Kirchenmusik (1853). The hymn tunes associated with Filitz were originally published in two books. Together with Ludwig Erk, he published Vierstimmige Choralsätze der vornehmsten Meister des 16. und 17. Jahrhunderts (Essen, 1845). He also compiled Vierstimmiges Choralbuch zu Kirchen- und Hausgebrauch (Berlin, 1847).”