Please turn to number 100 and join with the clarinets in “Alleluia! Jesus Lives!”.
First Line: Alleluia! Jesus Lives!
Name: EASTER GLORY (FRED TIL BOD).
Meter: 7 7, 7 7, 7 7.
Music: Ludvig Matthias Lindeman, 1812-82
Text: Carl B. Garve, 1763-1841
Tr. Laurence N. Field, 1896-
Clarinet Arrangement: 100-AlleluiaJesusLives
We’ve covered this hymn’s composer, Ludvig Matthias Lindeman, before. He was well known for recording, documenting, and adapting Norwegian folk and worship tunes into hymns.
The text’s author is new to me. I am puzzled and interested by the section describing his hymns as, “entirely free from typically Moravian features,” and thus more adaptable to church use. Makes me want to read some “typically Moravian” hymns!
Garve, Carl Bernhard, was born Jan. 24, 1763, at Jeinsen, near Hannover, where his father was a farmer. He was educated at the Moravian schools in Zeist, and Neuwied, at their Pädagogium at Niesky, and their Seminary at Barby. In 1784 he was appointed one of the tutors at Niesky, and in 1789 at Barby; but as his philosophical lectures were thought rather unsettling in their tendency, he was sent, in 1797, to arrange the documents of the archive at Zeist. After his ordination as diaconus of the Moravian church, he was appointed, in 1799, preacher at Amsterdam; in 1801 at Ebersdorf (where he was also inspector of the training school); in 1809 at Berlin; and in 1816 at Neusalza on the Oder. Feeling the burden of years and infirmities he resigned the active duties of the ministry in 1836, and retired to Herrnhut, where he died June 21, 1841. (Koch, vii. 334-342; (Allgemeine Deutsche Biographie, viii. 392-94, &c.)
Garve ranks as the most important of recent Moravian hymnwriters, Albertini being perhaps his superior in poetical gifts, but certainly not in adaptability to church use. His better productions are almost entirely free from typically Moravian features; and in them Holy Scripture is used in a sound and healthful spirit. They are distinguished by force and at the same time elegance of style, and are full of deep love and devotion to the Saviour. Many of them have passed into the German Evangelical hymnbooks, no less than 36 being included in the Berlin Gesange-Buch 1829; and of those noted below No. i. is to be found in almost all recent German collections. They appeared mostly in the two following collections, both of which are to be found in the Town Library, Hamburg: (1) Christliche Gesänge, Görlitz, 1825, with 303 hymns, a few being recasts from other authors. (2) Brüdergesange, Gnadau, 1827, with 65 hymns intended principally for use in the Moravian Communion.