020b.ServiceBookAndHymnal

Please turn your hymnals to number 20 (Second Tune) and join with the clarinets in “From East to West”.

Name: CHRISTUM WIR SOLLEN LOBEN SCHON
Meter: L.M.
Tempo: With dignity
Music: Geistliche Lieder, Wittenberg, 1525
Words: Coelius Sedulius, cir. 450
Tr. John Ellerton, 1826-93

A second, slightly more sensible, and modern, setting for the words of “Coelius Sedulis” is a bit easier to interpret. Ahem, if modern equals the mid-1500s. Interestingly, it does remind me of the incidental music from a Shakespeare play at the American Players Theater in Spring Green. Apropos.

Here’s the pdf arrangement for clarinets: 020b.ServiceBookAndHymnal

Red Service Book and Hymnal
Red Service Book and Hymnal

020a.ServiceBookAndHymnal

Please turn your hymnals to number 20 (first tune) and join with the clarinets in singing, “From East to West”.

Name: A SOLIS ORTUS CARDINE
Meter: Plainsong, Mode III
Tempo: Unison
Arr. by E. T. Cook in the BBC Hymn Book
Text: Coelius Sedulius, Cir. 450
Tr. John Ellerton, 1826-93

It’s weird, the older the Hymn, the more work it is and the weirder the harmonies. This one ends on what is, more or less, a minor chord.

Here’s the pdf of my arrangement: 020.ServiceBookAndHymnal

Anyway, I worked on this last night for several hours and I’m still not entirely happy with my performance of the melody. I think I failed to get myself into the proper headspace for the performance of “Plainsong, Mode III”.

I tracked the melody five times and placed it across the stereo landscape. Then I played all three accompaniment parts on Soprano Clarinet. Finally doubled the Tenor and Bass parts on Bass Clarinet. Added the Audacity “Large Room” Reverb Effect.

Red Service Book and Hymnal
Red Service Book and Hymnal

019.ServiceBookAndHymnal

Please turn your hymnals to number 19 and join with the clarinets in “Christians, Awake!”.

Name: YORKSHIRE.
Meter: 10 10, 10 10, 10 10.
Tempo: Broadly, with vigor
Music: John Wainwright, cir. 1723-68
Text: John Byrom, 1692-1763

This one is a little longer than most of the recent hymns.

Here’s the pdf of the arrangement: 19.ServiceBookAndHymnal

I went with the usual method, first recording all 4 parts with Soprano Clarinet, then doubling the bass and tenor parts on Bass Clarinet. For the record, this hymn marks the debut of a much nicer microphone for my home recording efforts. (Thanks to my lovely wife!). I think it sounds much, much better!

Red Service Book and Hymnal
Red Service Book and Hymnal

18.ServiceBookAndHymnal

Please turn your hymnals to number 18 and join with the clarinets in “A Great and Mighty Wonder”.

Name: ST. ALPHEGE.
Meter: 7 6, 7 6.
Tempo: In moderate time
Music: Henry J. Gauntlett, 1805-76
Text: St. Germanus, cir. 634-734
Tr. John Mason Neale, 1818-66, a.

A very short hymn, I was able to get this one knocked off after work and dog walk before Mrs. Flannestad got back from her job in Silly Valley.

Here’s the pdf of the Arrangement: 018.ServiceBookAndHymnal

After leaving the bass clarinet out for the last couple hymns, it is back with this one. I still did all the parts with Soprano Clarinet, but then doubled the Tenor and Bass parts with Bass Clarinet. I used the “Small Room” Audacity Reverb preset effect to give it a little presence, without losing too much volume.

Red Service Book and Hymnal
Red Service Book and Hymnal

017b.ServiceBookAndHymnal

Please turn your hymnals to number 17 (Second Tune) and join with the clarinets in “Of the Father’s Love Begotten”.

Name: DIVINUM MYSTERIUM. (Corde Natus Ex Parentis)
Meter: 8 7, 8 7, 8 7 7.
Unison, in moderate time
Music: XIII cent. Plainsong, Mode V,
Arranged by Ernest White 1899-
Text: Aurelius Prudentius, 348-413
Tr. St. 1-4, John Mason Neale, 1818-66
Tr. St. 5, Henry Williams Baker, 1821-77

A second tune for this song. Not quite as annoying to transcribe as the “first tune”.

The alto, tenor, and bass parts are composed entirely of dotted half notes, while the soprano part is alternating half and quarter notes, giving it a sort of woozy, sea shanty, kind of feel. Pleasant and sort of hypnotic to play.

Though, since it has 4 sharps for C instruments, it ends up having 6 sharps for b flat instruments, which is a little challenging. As a special bonus, if you listen closely at the beginning and the end of the song you can hear the clothes washer in the background.

Here’s the pdf of my arrangement: 017b.ServiceBookAndHymnal

Of the Father’s love begotten
Ere the worlds began to be,
He is Alpha and Omega,
He the source, the ending he,
Of the things that are, that have been,
And that future years shall see,
Evermore and evermore.

O that birth forever blessed,
When the Virgin full of grace,
By the Holy Ghost conceiving,
Bare the Saviour of our race,
And the Babe, the world’s Redeemer,
First revealed his sacred face,
Evermore and evermore.

This is he whom seers in old time
Chanted of with one accord,
Whom the voices of the prophets
Promised in their faithful word;
Now he shines, the long-expected;
Let creation praise its Lord,
Evermore and evermore.

O ye heights of heaven, adore him;
Angel hosts, his praises sing;
Powers, dominions, bow before him,
And extol our God and King;
Let no tongue on earth be silent,
Every voice in concert ring,
Evermore and evermore.

Christ, to thee, with God the Father,
And, O Holy Ghost, to thee,
Hymn and chant and high thanksgiving
Honor, glory, and dominion,
And eternal victory,
Evermore and evermore. Amen.

Red Service Book and Hymnal
Red Service Book and Hymnal

017.ServiceBookAndHymnal

Please open your hymnals to number 17 (First Tune) and join with the clarinets in singing “Of the Father’s Love Begotten”.

Name: DIVINUM MYSTERIUM. (Corde Natus Ex Parentis)
Meter: 8 7, 8 7, 8 7 7.
Unison, in moderate time
Music: XIII cent. Plainsong, Mode V,
Arranged by Winfred Douglas, 1867-1944
Text: Aurelius Prudentius, 348-413
Tr. St. 1-4, John Mason Neale, 1818-66
Tr. St. 5, Henry Williams Baker, 1821-77

Oof, the oldest ones are always the biggest pains to arrange, but they are often my favorites.

Here’s the pdf of the arrangement: 017.ServiceBookAndHymnal

Red Service Book and Hymnal
Red Service Book and Hymnal

016.ServiceBookAndHymnal

With hymn Number 16 from the Lutheran Service Book and Hymnal, aka “Silent Night”, we open the hymnal to the section of songs for the Christmas season.

Name: Stille Nacht.
Meter: Irregular.
Tenderly
Music: Franz Xavier Gruber, 1787-1863
Text: Joseph Mohr, 1792-1849
Tr. Unknown

Here’s the pdf of the arrangement for Soprano Clarinet Quartet: 016.ServiceBookAndHymnal

I didn’t add the Bass Clarinet this time, stuck with the Soprano Clarinet on all parts.

I have sung this song, I don’t know how many times, and I don’t think I’ve ever bothered to really learn the actual rhythms accurately. Always sloppy caroling. Interesting to look at it with fresh eyes.

Red Service Book and Hymnal
Red Service Book and Hymnal

015.ServiceBookAndHymnal

Please turn your hymnals to number 15 and join with the clarinets in singing, “Joy To The World!”.

Antioch, C.M.
In moderate time
Melody arr. by Lowell Mason, 1792-1872
Isaac Watts, 1674-1748

Here’s the pdf of the clarinet arrangement: 015.ServiceBookAndHymnal

I would assume most people, with even the most passing aquaintance with the Christian religion would be familiar with “Joy to the World!”, the most famous of the Advent hymns.

It is pretty short, so I played it 3 times, boldly the first time, quietly the second, and joyously the third.

This concludes the “Advent” section of the Hymnal. On to “Christmas” hymns next!

Red Service Book and Hymnal
Red Service Book and Hymnal

06.27.2016.KillingTime

The band I’m in practices in the East Bay. After a couple horrible driving experiences, I’ve decided to take BART. One of my East Bay living fellow band mates usually picks me up at Ashby BART station on their way to practice.

Sometimes I get there early, or my bandmate is late, leaving me with some time to kill.

Exploring the station, I’ve discovered that there is a spiffy reverb filled underpass on the East side of the station.

Working up my courage, I’ve started playing my clarinet in the underpass.

I had a pleasant interaction with a blind woman towards the end of this video.

Next I need to figure out some way to record my hymns in the underpass. The natural reverb of the underpass is far superior to the electronic processing.

014.ServiceBookAndHymnal

Please turn your hymnals to hymn 14, “Rejoice, All Ye Believers,” and join along with the Bass Clarinet quartet.

VIGIL.
7 6, 7 6. D.
Brightly
Swedish Folk Melody
Luarentius Laurenti, 1660-1722
Tr. Sarah Borthwick Findlater, 1823-1907

PDF of the arrangement:014.ServiceBookAndHymnal

This is an AABA form, with the exact same notes in 3 of the 4 lines.

The Alto, Tenor, and Bass parts were not very exciting, so I thought I would either play it really slow or really fast.

I took the Hymn at 120, which is quite a bit faster than the usual 80 or 90, I use for hymns. Definitely has a bit of a folk music feel.

After playing through the melody a couple times, I played it even faster and some rhythmic improvisation on the bass line let me to an upbeat Sonny Rollins kind of and some rhythms that are a little beyond my ability to write out exactly. And maybe accurately execute accurately. Still kind of fun to take some liberties with the hymns.

Red Service Book and Hymnal
Red Service Book and Hymnal